“The production’s biggest success may be Aaron Rhyne’s projections, which include vintage photos of the real-life models for the characters on stage”
The production’s visual star is Aaron Rhyne’s projection work, utilizing images of the actual people involved that provide a tantalizing human complexity missing elsewhere.
– Backstage –
“That’s also reflected in Tobin Ost’s settings, rough-hewn barn siding jazzed with Aaron Rhyne’s projections of sensationalist newspaper headlines and mug shots, all sympathetically lit by Michael Gilliam, often through a Dust Bowl haze.”
– Bloomberg News –
…energetic projection design by Aaron Rhyne
– Associated Press –
The best thing about the show is Tobin Ost’s clapboard-shack set, a well-lighted piece of clean-lined design that makes unusually effective use of Aaron Rhyne’s digital projections, most of which are based on contemporary newspaper accounts of the Barrow Gang