All the design elements earn admiring gasps, especially Aaron Rhyne’s impressive projections, heightening the drama of the show’s knockout locomotive number, “We’ll Go From There.”
– Variety –
That marks the first full use of the spectacular video projections that add so enormously to the visual richness of this show. I’ve never seen a fuller or more effective use of projections. Credited to Aaron Rhyne , these are state-of-the-art animated scenes that wheel and rotate and will eventually carry us across Europe by train. They provide the visual punch necessary for a grand reveal of Paris in the final moments of Act 1. Colorful and magical, they also conjure up ghostly figures when necessary, adding tones of nightmare and mystery. Aided by the triple turn table set designed by Alexander Dodge, the sheer array of looks achieved in this proscenium show is stunning. I wager the visuals alone will keep even young audience members raised on movies fully captivated.
– Broadway World –